Plainly Seen
C. Fausto Cabrera
Lil’ Chirpers bounce brazen
anxious as tweekers under the chain link pecking
at crumbs unfazed by our sort of predator. I suppose it’s the wings.
I watch the sway gentle, leaves shiver in angst, blades bend saying something brown &
trampled through the checker of weaved wire. I just can’t see the forest of futures from
this dead tree. But even in these, a cold courtyard comes alive—kinda.
People always act like dissatisfaction is a choice; like gratitude is a muscle to strengthen
free from circumstance. In a dim lit room, when a beam of natural light cuts through the
air it always illuminates the dust floating in the ether—always.
A plane bursts above in the
Prussian blue dusk dropping. It pulls a trail of
smoke vertically across the sky. The sonic used to
deafen me with visions of travel & flight,
something about seeing from such heights
that’d give me a welcomed vertigo. How do we [not]
fall so far? Maybe it’s a lack, of purpose,
like the definition of better got worse?
Freedom isn’t a blank page. It’s full of scribbles, in other people’s
handwriting. I look up & see that plane leaving a rail of powder across the dark.
The sky drains so fast, I forget, it’s us turning away from the light—uncontrollably.
C. Fausto Cabrera is a multi-genre artist & writer currently incarcerated since 2003. His work has appeared in: The Colorado Review, The Antioch Review, Puerto del Sol, The Comstock Review, The American Literary Review, The Missouri Review, The Water-Stone Review, The California Quarterly, The Woodward Review (Pushcart nomination), & descant. His most recent project is a prose collaboration with photographer Alec Soth, The Parameters of Our Cage. He co-founded The Stillwater Writers Collective partnered with the Minnesota Prison Writing Workshop (MPWW) & has a profile through WeAreAllCriminals.org's Seen Project.